By Jules Sprake.

Jules Sprake has experimented with forms of printmaking and poetry, often starting with photographs of buildings or discarded objects to produce work that focuses on dis/connections between the parts. She is interested in the use of traditional printmaking techniques such as etching, cyanotype, salt print or lithography to process these photographs and poems. Sprake has recently exhibited from a series of work, Densities of Blank, at Impact 12: The Printmaker’s Voice and is a mentor with Koestler Arts. She has performed work for the European Poetry Festival and Printed Poetry Project.

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